Monday, December 28, 2009

[書] 莫 言 | 蛙 | 得知了生命的簡單本質,是否就能交換到自我救贖?




作者:莫言
出版社:麥田
出版日期:2010年01月08日
ISBN:9789861735900

--

小說主題是中國計畫生育議題,原本預期有歷史隔閡為由的情緒投入困難,待細細讀完才發現,書裡關注的人性的部分,其實可橫跨時空,甚至是超越文化的。畢竟,不管經過幾千幾百年的文明演化,”生殖焦慮”仍是根植於人性深處的最基本生存需求,更粗糙地說,整個繁忙的生活正是為了這個目的而動員起來的,它是推動的助力,卻也無法無視地成為挫敗的來源。而小說的目的即在於,說明生活沉重真相的同時,也指出了一個純粹而光明的可能性:哪裡有生命的簡單本質,便往哪裡去。

接下來也許還能夠問,得知了生命的簡單本質,是否就能交換到自我救贖?這樣的假設,即使只是如舞台佈景般悄悄搭起,又悄悄拆下,即使只是像偶然照亮幽暗深井的一抹光,也已經足夠成為記憶中的故鄉風景了。

最後,關於文化隔閡的部分。我想到米蘭昆德拉所說的--”一本小說,通常是在離它的文化背景最遙遠的地方,才能得到最好的理解”。這個”最好的理解”,在莫言這本小說裡,用既疏遠又貼近的閃爍語法,以及末篇藉戲劇形式收尾等手法,近乎魔術般巧妙地達到了。相較於小說企圖之寬宏,小說書寫藝技之高明也打動了我。



The Stooges - I Wanna Be Your Dog





So messed up, I want you here
In my room, I want you here
Now we're gonna be face-to-face
And I'll lay right down in my favorite place

Now I wanna be your dog
Now I wanna be your dog
Now I wanna be your dog

Well, come on

Now i'm ready to close my eyes
But now i'm ready to close my mind
And now i'm ready to feel your hand
And lose my heart on the burning sand

Now I wanna be your dog
Now I wanna be your dog
Now I wanna be your dog

Well, come on






Translated by allexhale



心煩意亂,我想要你來這裡
我要你來,來我的房間裡
是時候了,我們得坦承相見
我要在我最喜歡的地方躺平
我要當你的狗
我就要當你的狗
我就要當你的狗
喔,來吧

我真的要閉上眼睛了
也真的要停止思考了
我準備好要感覺你了
我的心是熱情的沙漠
我要當你的狗
我就要當你的狗
我就要當你的狗
喔,來吧

Tuesday, December 22, 2009

[幹架] Chuck Palahniuk on "Choke"



choke (2008)


後面那個穿格子襯衫的是作者ㄋㄟ 山姆搖滾好好帥喔!


可愛的作者與可愛的羊合照

--

以下訪問譯自www.ifc.com

Is it catharsis that attracts you to such dark and cynical material about
man's failings?
這些黑暗又譏憤的,關於人的失敗的題目,對你來說是不是有宣洩情感,並得到淨化的吸引力?



Do you remember the movie "Priscilla, Queen of the Desert"? Pretty much
right after the credit sequence, the main character is walking home after
having done a drag show. It's pouring rain, and people are shouting and
breaking bottles in the background. Watching it, a friend of mine leaned
over and said, "Why is it raining in this scene?" It's just a scene of complete
misery, and I said, "It's raining, so that when it's not raining, it will be all the
nicer." If you start in the pit of despair with these profane, awful things,
even a glimmer of hope or awareness is going to occur that's much brighter
coming from this dark, awful beginning. That's a big part of it.
你還記得電影”沙漠妖姬”嗎?片末字卡上完後,劇中角色在人妖秀表演結束
後走路回家。這時下起傾盆大雨,背後有人一邊叫囂,一邊砸碎玻璃瓶。
看片時,我一個朋友側身過來問我:這場景裡的雨是什麼意思?這是一幕實
實在在的悲苦的場景,而我說:現在下雨,而等天晴時,每件事都會顯得更
美好。如果你以這擾人塵世之絕望的漥地為起點,那麼在這幽暗攝人的起始
中,即使是希望的一點點微光或意識也都更顯光明。這是一件重要的事。



You regularly use a literary device based upon heavily researched ephemera.
"Fight Club" punctuated ideas with "I am Jack's medulla oblongata" and other
body parts, and the "Choke" novel contains conspiracy theories, natural highs
and medical terminology. Where do you discover these bits of trivia before you
can flesh them out through research?
你經常在作品裡大量使用類研究語句為小說修辭,例如[鬥陣俱樂部]裡有
名的”我是傑克的骨髓延”,以及[窒息]小說裡的陰謀論,自然嗨,藥學術語
等等。你是打哪發現這些玩意兒的?


Typically, I'll just hear one. I spend most of my life just listening to people.
Someone will say something that really seems like a terrific metaphor. In
"Choke," the theme of the book is things that aren't what they appear to
be, and I had been at a party where people were talking about a coded
security announcement in the Oregon school system. "Recess will be
held in the library" means you have to lock the doors, have your kids lie
down, turn out the lights, and wait for them to announce the lunch
special is tuna noodle casserole. "Recess will be held in the library" means
there is a school shooter killing people, and the all-clear is "tuna noodle
casserole." I just loved it, so I kept on telling this story to people who
worked in hospitals, hotels and airports, and they would tell me their own
coded security announcements. I used this one metaphor as bait to gather
countless examples of the same thing.
很簡單,我聽來的。我花了大半輩子聽人說話,其中有些確實能成為很好的
隱喻。[窒息]的主題是人們不想成為的東西。某天我在一個派對上,聽到有人
在聊奧勒岡那邊學校的安全密語通告。”圖書館休假期間開放”的意思是叫你把
門鎖上,讓孩子們躺下,關燈等到宣布”中午特餐是鮪魚麵條雜膾”為止。”圖
書館休假期間開放”的意思是有個校園殺手正在大開殺戒,而解除警報是”鮪魚
麵條雜膾”。我愛死這個了,一直講給那些在醫院、旅館、機場工作的人聽,
然後他們又講他們自己的安全密語給我聽。我用這個故事釣到一大堆差不多的東西。



(中間講[惡搞研習營]讀書會有讀者聽了昏倒的事就不翻了請自己看小說昏倒)
以下是"我願意為你摘要"單元:
”保安會修女說,有人被殺是一回事,什麼人胸膛塌陷,在死前還想再吸一口氣,
撐起身子,發出呻吟,嘴張得好大,想吸空氣。那些胸膛塌陷的人,她說,你可以
跪在他們身邊,在沒有人看見的暗黑街道上,你可以看著他們兩眼失神,可是殺死
一隻動物,哎,那可是另外一回事了。動物,她說,一隻狗,會讓我們有人性,證
明我們的人性,死的是別人,只讓我們變得多餘,死的是隻狗或貓,一隻鳥或一隻
蜥蜴,就讓我們像上帝。
 - p.253



What inspired the choking scam in "Choke"?
[窒息]裡的騙局靈感來源是?


09242008_choke3.jpgThe germ of the story was me driving home after having
identified my father's body in Idaho after he was murdered in 1999. My life was
so filled with stress: the "Fight Club" movie coming out, my father being killed,
and being responsible for helping the police. On the way home, I started to
fantasize about someone with a very boring, but stressful life who would
periodically pull over on these isolated highways in the middle of the night, leave
the car running, the headlights on, even the driver's door open, and would lie
down on the shoulder just off the highway, in the gravel, in the headlights, knowing
that someone would eventually show up, see his very boring car with a baby seat,
and see him as this well-dressed person collapsed in the road. This would be a
sheriff or a deputy, an authority with a uniform, badge and a gun, and they would put
two fingers against his neck. At that point, he would be really cold lying on the
gravel at night. And these two warm fingers would feel his neck for a pulse, and
this authority figure would say, "It's going to be okay. Are you all right? I'm here to
help you." This person would embrace, lift and coax him back into his life, all the
time repeating this reassurance and nurturing mantra. I almost did it that night
as I was driving back, but I really didn't want to get that dirty, lying down in my best
clothes. So I turned it into a guy who would choke in restaurants for that same
moment of public catharsis, where he would be allowed to completely look terrible,
weep, and be in crisis, but have the complete sympathy of all the people around him.
在我開車回家的路上。1999年,我爸被謀殺,我去伊達荷州確認他的屍體。
那時我的生活備受壓力:[鬥陣俱樂部]電影上映,老爸被殺,我有義務幫警方
查案。於是在路上,我開始幻想起一個人有非常無聊,但壓力重重的生活,
照三餐在大半夜裡從馬路中央被抓走,車還在跑,燈也還亮著,連車門都是
開的。然後就在公路上或某處礫石地,他倒下,肩膀著地,在車燈的照耀
下,心裡明白某人終究會出現,來看他那無趣至極的,附有嬰兒坐椅的轎車
,來看他這麼一個衣冠筆挺之人如何在馬路上崩潰。那應該是個郡督或類似
的傢伙,穿了一套代表權力的制服,有章徽和配槍,而他會伸出兩根手指抵
住他的脖子一會兒,然後這權力的化身開口說道:”不會有事的。你還好嗎?
我是來幫你的。”這人將擁抱他,支持他,安撫他回去他的生活裡,這時間
將不斷重複再三保證看照的祝禱文。那晚開車路上,我幾乎就要這麼做了,
但我不想穿我最好的衣服趴在地上弄髒。所以我把這想法轉換成一個在餐廳
裡噎到的人,這裡有類似的公開的心理宣洩,他可以盡情地表現出脆弱不堪
,大肆求救,而附近的每一個人都會真心且真正地同情他。



What would be your outlet if you didn't have writing to vent?
如果不以寫作為出口,什麼會是你的發洩方式?


It would either be some sort of extreme sport thing that would really exhaust
me, or it would be substance abuse. Either way, I think it would be some sort
of physical outlet that would wear me out. [Physical activity] clears my head.
Some of the best ideas I get seem to happen when I'm doing mindless
manual labor or exercise. I'm not sure how that happens, but it leaves
me free for remarkable ideas to occur.
我會來些極限運動來把自己搞死,或是濫用藥物。總之是以肉體上的發洩
來讓自己筋疲力盡。身體活動讓我腦袋澄淨。我的某些最好的點子是在我
做不動腦的手工勞做或練習時蹦出來的。我不清楚這怎麼發生的,但這讓
我準備好靈光乍現。



Since all of the damaged characters in all of your books have sprung from
your head, who would you say you'd most identify with?
既然書中所有這些破碎的角色都源自你的腦袋,其中有哪個最是你的自我認同?


Denny [from "Choke"]. I really love idiot, enlightened characters -- these
characters who fail to engage with the drama of their immediate
circumstances; they fail to be reactive and enrolled by drama as it happens
around them. It's not mentioned in the movie, but in the book, there's a
sentence that sums up Denny, that when he had his first inadvertent orgasm
as a child, his impulse was that he had invented this thing. [He felt] he could
teach it in seminars and it would make him rich, and no one in his family would
ever have to work again because he would be so fantastically wealthy from this
thing he had invented. That was the same way with me. I really thought the
first time that I had invented this thing and I was heartbroken when I realized it
was just an orgasm.
[窒息]裡的丹尼。我愛死了又純又蠢的白痴人物--他們無法應付生命裡的即席
演出的戲碼,無法對週遭故事有反應或被納入。電影裡沒有,但小說有提到丹尼
的理論:他小時後第一次意外的性高潮,他很興奮,以為是他發明了高潮,他想
他可以靠開研討會教大家如何高潮來賺錢,他的家人再也不用出門工作因為他會
因為他的發明而有錢得作夢也想不到。這跟我有點像。我第一次高潮時也以為那
是我發明的,等我明白那”不過是一次高潮”時我心都碎了。



So that, and both you and Denny are chronic masturbators.
喔,所以你和丹尼都是長期手淫者?


I wish I had that kind of energy. [laughs]
希望我有那精力。(笑)

--

Monday, December 21, 2009

Johnny Cash



我每次聽這張專輯,都由衷地覺得Johnny Cash是世界上最有魅力的表演者
他唱起歌來好像取悅觀眾對他來說是最快樂的事

Sunday, December 20, 2009

Morphine






實在是聽了會發情的音樂
如果每間夜總會都曉得要放這種歌那我就不回家了
是夜總會 !!! 不是夜店 !

just another ordinary day ( wIth Vincent ' freaking-hot ' Gallo ) !!!

Johnny Depp + Vincent Gallo

最近在讀[莫雷的發明]
"對一個什麼都知道的人來說,我不是那個製造花圃而讓人害怕的人,但是,我已經創造它了。" __ P.80

--

真不想承認但是我看完水牛66之後就好喜歡文森卡洛阿阿阿阿阿阿怎麼會這樣 !!!!!

Friday, December 18, 2009

John Frusciante - How Deep Is Your Love



他唱這首歌的樣子好性感
好像在拍電影
憂鬱,任性
狂野
好像BUFFALO 66裡的文森卡洛


補:John Frusciante幫文森卡洛的電影小棕兔寫了配樂四首(沒看過)

Thursday, December 17, 2009

女人出走 | Villa Amalia | Isabelle Huppert ♥ ♥ ♥



Villa Amalia (2009)
novel by Pascal Quignard:「我寫作,因為這是唯一保持沉默的說話方式。」



--

她轉身,她背對的是過去她以為的組成她人生的一切:情人,家人,朋友,事業
她離開的時候,同時決定不再過問,也不再接受
接著走下去,似乎因為已經習慣了這種姿態,
所以要和新的連結切斷關係也是易如反掌
最後她連對朋友的承諾也背棄了(她覺得這份承諾就像她經歷過的各種承諾一樣,對自己和對別人都毫無意義)
她回到她為自己所找到的那處難以抵達的角落
在那裡為自己找到一大片海洋
她覺得她就在那裡,什麼都是,也什麼都可以不是,
偶爾平靜,偶爾洶湧
而大部分的時候,只是靜悄悄容納著
如此就能在長長的時間裡慢慢想像著,行動著
而不必決定出”一個樣子”
Not a BEer, more a DOer.

--

" To do is to be." – Nietzsche

--

我想像伊莎貝雨蓓用手指輕輕拭過房間裡的灰塵,抬頭露出調皮親暱的笑容
她的眼神說,沒有什麼是不可以的;
在一個"沒有什麼是必然的"的前提下。

Friday, November 27, 2009

Antichrist | 我每次看完拉斯馮提爾的電影,都會很想把他掐死,然後強暴他的屍體。



Antichrist (2009)

Director / Writer : Lars von Trier
cast -
Willem Dafoe
Charlotte Gainsbourg

相關連結 "I work for myself and I do this little film that I am now kind of fond of."

--

延續拉斯馮提爾一貫的作者思想,以尼采式反基督反人性觀點舖底,透過電影所安排的畸零場景及命運,模糊道德立場(道德是什麼?是規範人類群體行為的假標準)所界定的善與惡;什麼是懦弱,什麼是暴力,什麼是愛,什麼是自然,什麼是人。

電影後段,敘事又更暴力了:原來女人在作為妻子、情人、母親的職責之外,她的真正身分是厭女研究的學者。於是我看到了一個人因為知道了太多而被等量地蠶食。身為一個自然的女人,在遭受了巨大的悲痛之後,她重拾了她所認識的武器:她的迷信、她的感性、她的性,去對抗與報復,藉由模仿與再製那被默許的姿態,以報復一整個歷史與宇宙所指派給她的包袱。

幾乎很想說,這是一部反厭女的厭女電影。但是到頭來,一切的定義與闡述的為文明而努力的功夫,都敵不過生存本身的巨大壓力,所以男人在最後一刻親手終結了她的生命,這並沒有任何性別或道德或哲學方面的隱喻或指涉,只是因為恰好必須如此。

--

我每次看完拉斯馮提爾的電影,都會很想把他掐死,然後強暴他的屍體。
如此,我便可在他的注視之外,沉默而無知地獨自走向生命的終點,一如大地上的萬物,以其命定的秩序。

--

拉斯馮提爾請你繼續拍電影。如果這世界上有什麼是真正重要的,那就是你必須不停地說,說到整個世界都與你為敵為止,以作為背負生命的原罪的報復。同樣身為一個偶然被生下來的人,我想不出有比這更尊貴的行為。

Tuesday, November 24, 2009

非誠勿擾 | ... (痴心男請進)



非誠勿擾 (2008)
導演/編劇 : 馮小剛
演員 : 葛優, 舒淇

相關連結 愛情靈藥,確實可以贏來幾聲輕歎!

--

男女主角的設定刻板,同時滿足了兩性觀眾的自我投射需要:
女:”我好可憐...”
男:”我才可憐!”
特別以男性主觀出發的尖銳機智對白形成全片的主要觀點
真情流露地坦白了廣大亞洲單身漢的婚姻壓力(延續香火壓力 + 感情空白壓力) ...<-恕我如此尖酸刻薄
加乘悲傷正妹+過氣型男的討好組合,直覺這部電影就是成人版的電車男吧?!
剩男們,繼續加油,好嗎? !!!!!!!

--

特選經典台詞:

友:其實你就是看人家長得漂亮
葛:我為我們秦家改良後代有錯麼?天天想著越獄你就開心啦?(么壽阿這真是太中肯啦!!!)

--

感想:我還是看暮光之城好了。(無誤)

Monday, November 23, 2009

who the fuck is Rocco Siffredi !!!!!!!!!!!!!!


Rocco Siffredi in Catherine Breillat's "Anatomy of Hell."
source : New York Times

Anatomie de l'enfer (2004)
"Anatomy of Hell, like many of Breillat's other works, explores female sexuality, in this case focusing specifically on male fear and resentment of that sexuality. The plot follows an unnamed woman who is discovered in the middle of a suicide attempt in the toilet of a gay bar by one of its male patrons. The woman offers to pay the man to watch her for four days, during which time she explains her views on sex and sexuality."

Rocco Siffredi wikipedia / official website ...(歐洲居然有這麼帥的AV男優!!!!!!)


x x x

RAGE | 拍一部電影,只需要演員和台詞



RAGE (2008)

Director / writer : Sally Potter

wikipedia : The movie created a new genre in filmmaking, called Naked cinema.
相關連結 : John Berger on Sally Potter

--

離奇的故事線只以鏡頭前獨自一人的各個角色的敘述和畫外音堆疊起來;
鏡頭取角也是暴力的:情境模仿採訪模式,視線固定在人物上身與臉孔上

不同階級/身分/職業的人物立場突兀地交叉對比,顯得過分直接,但確實地直指整個體系的暴力本質

高達說,拍一部電影,只需一個女孩和一把槍;意即,只需要色情與暴力
這部電影裡,色情是時尚工業本身(不是它的什麼,就是它本身)
暴力是資本主義商業行為的市場操作。

--

Buscemi的角色是攝影師!!!
機歪的程度可比2007年自導自演的Interview!!!!!

Thursday, November 12, 2009

[書] 常態的瘋狂

tales of ordinary madness

我喜歡它在氣急敗壞地瞎忙一陣後,以索然的悲傷作為結束。



相關連結:
poems /// 電影 Factotum (2005)

Tuesday, November 10, 2009

Atlas Sound



謝謝你,Bradford Cox。
這個下午真讓人頹然欲泣。



我要和你一起成為這世上最幸福的孩子。



Once You're Born

You Stay Forever Young.



source: Joseph Szabo

Monday, November 9, 2009

Weezer - Tired of Sex





這是一首關於一個夜夜笙歌的男人在哭夭真愛在哪裡的歌。

I'm tired, so tired
I'm tired of having sex
So tired
I'm spread so thin
I don't know who I am
Monday night I'm makin' Jen
Tuesday night I'm makin' Lyn
Wednesday night I'm makin' Catherine
Oh, why can't I be makin' Love come true?
I'm beat, beet red
ashamed of what I said
What I said
I'm sorry, here I go
I know I'm a sinner
but I can't say no
Say no
Thursday night I'm makin' Denise
Friday night I'm makin' Sharise
Saturday night I'm making Louise
Oh, why can't I be making Love come true?
Tonight, I'm down on my knees
Tonight, I'm beggin' you please
Tonight, tonight please
Oh why can't I be makin' Love come true?

--

Translated by allexhale



我好累,累到爆
我幹得好累
好累
我被操翻了
我認不得我自己了

週一晚上我搞了珍
週二晚上我搞了林恩
週三晚上我搞了凱瑟林
喔,為何沒一個是真愛?

我搞砸了,我臉紅耳赤
我說的話真丟臉
我說的那些話阿
真對不起,我現在就走
我知道我有罪
可是我就是無法說不 ---

週四晚上我搞了丹妮斯
週五晚上我搞了夏莉斯
週六晚上我搞了露伊斯
喔,為什麼我不能搞到真愛?

今晚,我要跪下來
今晚,我誠心誠意拜託你
今晚!拜託!祈求你!!!!!
喔,為何沒一個是我的真愛?

Sunday, September 27, 2009

Saturday, September 26, 2009

(Please) Lose Yourself In Me



p.11 / model:8 femmes

在我們能夠觀看之後,我們很快就察覺到我們也可以被觀看。
當他者的目光與我們的目光交會,我們是這個可見世界的一部分就再也沒有疑慮。

quoted from 觀看的方式 written by John Berger





--

這一幕,Emmanuelle Béart飾演的女僕Louise正在向她暗戀的主人Gaby告白
她披上華麗的禮服,在心上人的房間裡踱步,故作姿態
並且首度將挽起的一頭長髮放下來

在這裡,她從一個僕人,變成一個愛人。

Wednesday, September 16, 2009

The Cook, the Thief, His Wife and Her Lover | 藝術級調情

Alan Howard為您示範調情的藝術




introducing heavenly material world


The Cook the Thief His Wife & Her Lover (1989)
Director:Peter Greenaway
Writer:Peter Greenaway

cast-
Richard Bohringer... Richard Borst
Michael Gambon... Albert Spica
Helen Mirren... Georgina
Alan Howard... Michael
Tim Roth... Mitchel


Jean-Paul Gaultier 是我最喜歡的設計師!!!!是高雅教師與淫蕩流鶯的綜合體,還有性別越界的華麗與刺激衝動!
(特愛這衣服上的黑色寬肩帶貼合在皮膚上的暴露感與束縛感引起的性虐待遐想,這是一部講高壓力慾望的電影!)
(還有色色的小女孩蕾絲和蠕動脣膏般的長手套!)(暈)




--

藝術風格強烈,對稱構圖,水平鏡頭運動
高聳寬闊的空間深度,過場對比色,光線設計
暗示性道具,裝飾性人物
(舞台劇般的故事線走法)

海倫米蘭的三種慾望:食慾,性慾,愛慾,三層推進/雜交 (以復仇的慾望為結尾)
(電影主題,第一層是大賊和老婆間的權力關係推移圖,第二層才是老婆和她的情人間的情慾流動)

聯想到易卜生劇本裡,在婚姻關係裡被無形的條件監控的,必須接受不平等愛情的女性(被暴力地愛著)。這部電影好像是有點女性主義,不過看完後不斷回想的反而是大賊Michael Gambon,對他男性面的魯莽,粗暴,脆弱與愛無能所表現出來的直接而純粹的力道印象深刻,他是一個典型的惹人厭的反面角色,但是他滔滔不絕的荒唐謬論與匪夷所思的幼稚,幾乎讓他看上去像是一種天性,而不是一種身分或慾望。(跟演大賊跟班的提姆羅斯比較,提姆羅斯比較像是後者;為作惡而作惡)



--

貼一下美妙的截圖

很有巴洛克宮廷畫派的暗潮洶湧感 !!!




Tim Roth is 27 !!!!!!!!!!!!!!!!!!!!!!!!!!!

Saturday, September 5, 2009

Baby Gay Daddy YA YA !!!!



Lady GAGA on OUT SEP 2009 Photography by Ellen Von Unwerth
Styling by Nicola Formichetti

--


蕾低卡卡說:
"I very much want to inject gay culture into the mainstream. It’s not an
underground tool for me. It’s my whole life. So I always sort of joke
that the real motivation is to just turn the world gay."


卡卡真是個人妖阿!

照片看這裡
(個人覺得不特別有趣...就是她平常的風格,放在其他屬性的雜誌也可以)

--

以上不是重點
重點是,這期做了個baby Daddy特企真是爆炸帥的阿!!!!!!!!!!!!
穿什麼緊繃小短褲!抱小孩才是男子氣概啦!!!


我一定要貼!!!!





--

相關連結:
承認同性婚姻合法的國家及地區
衛報:The rise of the gay dad
衛報:Marriage should move with the times
衛報:Getting used to gay parents


跟同性戀者生殖/扶養權有關的電影
愛像一條魚 Goldfish Memory (2003)
一個娃娃兩個爸 Comme les autres (2008)